第⼀届「刘国松⽔墨艺术奖」2019

After two rounds of judging, the Liu Kuo-sung Foundation and The Ink Society were delighted to announce Wu Chi-tsung the Winner of the First Liu Kuo-sung Ink Art Award, with a cash prize of HKD100,000. Honorable Mentions were awarded to Hung Fai and Sun Yuan. The award ceremony was held on October 5, 2019 at Ink Asia, and the works of the three winners were exhibited at The Ink Society’s Special Exhibition Zone.

Nominators

Shang Hui (Editor-in-chief, Fine Arts Magazine, Beijing)

Raymond Tang (Curator—Modern and Hong Kong Art, Hong Kong Museum of Art, Hong Kong)

Wang Huangsheng (Artist; former Director, of the Central Academy of Fine Arts Museum, Beijing)

Wu Hongliang (Deputy Dean, of the Beijing Fine Art Academy; Director, of the Art Museum of Beijing Fine Art Academy, Beijing)

Philip Wu (Assistant Professor, Department of Fine Arts, Tunghai University, Taichung)

Judges

Liu Kuo-sung (Artist, Taipei)

Lesley Ma (Ink Art Curator, M+, Hong Kong)

Pi Daojian (Independent curator and art critic, Shenzhen)

David Pong Chun Yee (Chairman, The Ink Society, Hong Kong)

Jason Wang (Independent curator and art critic, Taipei)

评审委员王嘉骥评述「刘国松水墨艺术奖」首奖得主吴季璁：

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首届「刘国松水墨艺术奖」得主吴季璁，1981年出生于台北；1990年代末至2000年代初，他在台北艺术大学就学期间，正是水墨创作在台湾艺坛濒临式微的时期。吴季璁虽然更多地游走在西画和新媒体艺术的范畴，对于水墨艺术及其创作却也多有观察及参与。将传统水墨艺术及其美感转化为各种具有当代特色的表现，而不拘泥于笔墨作为媒介的思考，这是吴季璁创作的一大特色。透过影像的媒介与成像技术，吴季璁以光、影为操作对象，持续与水墨绘画进行一种别具个人特色的另类对话。 2012年之前，他开始将传统氰版摄影的蓝晒技法与宣纸作结合，发展成《皴法习作》系列，并以挂轴的形制装裱。涂了感光药剂的宣纸，在光的曝晒之下，出现由湛蓝转为赭黄，甚至复归于白的显色变化。他以此为手段，将涂剂的宣纸揉皱，让阳光下显色的宣纸呈现出复杂的皴折与色泽变化；之后，再用层叠拼贴的技法，形构为特殊的绘画。 2016年以来，此一技法渐殝成熟，画面也延伸扩大，成为《氰山集》系列。虽然宣纸上的氰色显影状极抽象，吴季璁最终完成的画面，风格上却给人自然风景——尤其是中国山水绘画——的联想。此次参加决审的作品即出自此系列。

吴季璁从新媒体艺术的技法实验出发，多年以来持续与水墨艺术传统对话，非仅深化其美感，亦拓宽其美学，展现了独特的当代风貌，因此获得多数决审委员们的青睐，成为2019年首届「刘国松水墨艺术奖」得主。

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